In the first video, Armstrong and Miller use a register
that juxtaposes the scene in which their sketch is set, in order to create a
situation that the audience will find amusing. While the scene takes place on
D-Day, during world war two, the characters played by Armstrong and Miller use
modern colloquial language to communicate, a form usually associated with the
sociolect used by urban teenagers. Within this colloquial lexis are slang words
like ‘blud’, ‘aks’ and ‘ain’t’. This contrast is what generates the humour upon
which the sketch is based.
The use of
non-standard grammar throughout their discourse, such as, ‘I love the seaside,
isn’t it,’ and ‘If they do has donkey rides,’ is to reinforce the audiences
awareness that the register they are using is not formal, the one you would
perhaps expect to hear because of the connotations that come with seeing black
and white films. They also use fillers from the colloquial register – things
like, ‘like,’ and ‘right’– and a high frequency vocabulary of commonly used
words. Back channel agreement is also used throughout the piece (‘yeah’ and
‘mmm’) to show that they are listening to each other and responding positively.
The repetition of ‘isn’t it?’ is their way of receiving this positive feedback.
At one point the
simile, ‘Gonna put on so much vinegar that my lips turn all blue and I look
like my nan did when her neck stopped working,’ is used. This is quite an
extreme simile and has been written this way for the sake of humour. The fact
that these characters can talk like this with each other shows a certain amount
of comfort and familiarity, traits often common with informal pieces or
interactions.
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